UN POTENTE E INGENIOSO ACERTIJO Y UN GRAN DEBUT PARA EZBAN
A FILM PEOPLE WILL TALK ABOUT FOR YEARS TO COME
ONE OF THE MOST EXCITING MEXICAN FILMS OF THE YEAR
A MASTERPIECE IN MODERN SCI-FI
MUY AMBICIOSA, Y AÚN ASÍ LOGRA TODO LO QUE QUIERE… EZBAN ES UN DIRECTOR MUY NECESARIO EN EL GENERO EN MÉXICO
A BEAUTIFUL MINDFUCK
AN ULTRA DARK REMAKE OF GOUNDHOG DAY PRODUCED BY DAMON LINDELOF AND DIRECTED BY THE GHOST OF ROD SERLING
IT WOULD MAKE BRADBURY, WELLS AND SERLING STAND UP AND CHEER
ITS LIKE INCEPTION WITH A MORE IMAGINATIVE APPROACH AND A FAR BETTER PAYOFF
CAN´T WAIT TO SEE WHAT DIRECTOR ISAAC EZBAN HAS IN STORE NEXT
OF THE SAME LINEAGE OF TARKOVSKI´S SOLARIS AND KUBRICK´S 2001
ESTAMOS ANTE LA OBRA DE UN VISIONARIO QUE HA CREADO UNA CINTA IMPORTANTE, DESTINADA A CONVERTIRSE DE CULTO Y QUE SERVIRÁ DE EJEMPLO A FUTUROS REALIZADORES
SIMPLY AMAZING!!!
¡ÚNICA E INIGUALABLE!... EZBAN SE HA TRANSFORMADO EN UNO DE LOS CINEASTAS MÁS DELIRANTES DE NUESTROS TIEMPOS
A TERRIFIC MOVIE!
DIVERTIDA, INVENTIVA Y ENCANTADORA
EZBAN COULD BE CONSIDERED A HIPPER MEXICAN COUSIN TO M. NIGHT SHYAMALAN
SIGUE CON EL LEGADO DE UNO DE LOS DIRECTORES MÁS VISIONARIOS DE MÉXICO
EZBAN´S HIGH CONCEPT THRILLER AND VISCERAL, FAST-PACED AND BREATHLESS STORYTELLING MARK HIM AS ONE OF THE MOST EXCITING FILMMAKERS TO MAKE IN SOME GOOD TIME
AN ABSOLUTELY RIVETING DESCENT INTO ODITY AND MADNESS
COMO UN EPISODIO DE LA DIMENSIÓN DESCONOCIDA DIRIGIDO POR LUIS BUÑUEL
ITS WEIRD AND WEIRDER, AND THEN IT GETS REALLY WEIRD
TAN ENTRETENIDA COMO EXTRAÑA
UNA VERSIÓN DE ESPERANDO A GODOT EN ÁCIDOS COMBINADA CON BEING JOHN MALKOVICH
ONE OF THE BEST HORROR FILMS TO COME FROM SOUTH OF THE BORDER
GREAT GORE, SOME GENUINE SCARES, AND A LOT OF UNEXPECTED TURNS
IT WON ME OVER WITH A MIX OF COOL CRETURE EFFECTS, GOBLIN COCK, AND LOTS OF CREAMY YELLOW STUFF
EZBAN SUCCEDED IN TESTING MY GAG REFLEX AND NEVER WAS I MORE RELIEVED TO MOVE TO THE NEXT SHORT
EZBAN SUCCEDED IN TESTING MY GAG REFLEX AND NEVER WAS I MORE RELIEVED TO MOVE TO THE NEXT SHORT
UN VERDADERO TOUR DE FORCE
UNA CINTA MUY PECULIAR PARA LA CINEMATOGRAFÍA DE AMERICA LATINA
UNA RIQUEZA VISUAL Y COMPOSITIVA POCAS VECES VISTA EN UN DIRECTOR TAN JÓVEN
UNA AUTÉNTICA SORPRESA, CUIADÍSIMA ESTÉTICA Y UNA HISTORIA QUE ATRAPA
UN SINGULAR Y COMPLEJO THRILLER
METÁFORA TRAS METÁFORA, MATÍAS SALINAS DEBUTA CON ESTE VIAJE A LAS ENTRAÑAS DE LA LOCURA
NO HAY NADA COMO UNA BUENA PELÍCULA HECHA CON MENOS RECURSOS, PERO CON DESBORDANTE CAPACIDAD CREATIVA
LLENA DE INTERESANTES SECUENCIAS ONÍTICAS Y SIMBOLISMOS
ONE OF THE MOST AUDACIOUS OF THE 24 YULETIDE-THEMED SEGMENTS.
A FINE EXAMPLE OF THE SURREALISM AND ABSURDISM FOR WHICH EZBAN IS KNOWN.
THE ABSOLUTE HIGHLIGHT OF THE FILM
THE WINNER OF DEATHCEMBER AS FAR AS I'M CONCERNED.
BUEN MANEJO DE TRADICIONES MEXICANAS, Y UN CONCEPTO ABSURDO (EN EL BUEN SENTIDO) QUE NO TEME LLEVARNOS A SU CONSECUENCIA LÓGICA.
EZBAN’S FIRST FORAY INTO HORROR MAKES FOR AN ATMOSPHERIC TRIP INTO GROTESQUE WITCHCRAFT
EZBAN USES HIS SCI-FI ORIGINS AS AN ENTRY POINT INTO A HORROR FAIRY TALE ANCHORED BY A REMARKABLE LEAD PERFORMANCE BY PAOLA MIGUEL, CULMINATING IN A BEWITCHING COMING-OF-AGE FOLKTALE
SI HABRÍA QUE NOMBRAR AL ACTUAL MAESTRO MEXICANO DEL HORROR, ESE SERÍA ISAAC EZBAN
UNA MUESTRA DEL POTENCIAL QUE PUEDE TENER EL CINE DE TERROR EN NUESTRO PAÍS.
A CREEPY TALE THAT BLENDS MODERN HORROR WITH CLASSIC FOLKTALES
A NEW OUTLOOK ON JUST HOW TERRIFYING A VISIT TO GRANDMA CAN BE
EZBAN SKILLFULLY CREATES AND MAINTAINS SUSPENSE THROUGHOUT HIS FIRST ENTRY INTO THE HORROR LANDSCAPE
CON MAL DE OJO, ISAAC EZBAN DEMUESTRA SU PROFUNDO AMOR POR EL GÉNERO
MAL DE OJO SIENTE COMO REGRESAR A UNA ERA DE ORO DEL CINE DE TERROR GÓTICO MEXICANO DE EL LIBRO DE PIEDRA Y HASTA EL VIENTO TIENE MIEDO, CON GUIÑOS A GUILLERMO DEL TORO Y WES CRAVEN
UNA EXPERIENCIA CINEMATOGRÁFICA QUE PROMETE VOLVERSE UN CLÁSICO DEL TERROR MEXICANO, DEVOLVIÉNDOLE AL FOLKLORE LATINOAMERICANO SU CARACTERÍSTICA MÁS IMPORTANTE: TEMERLE A LAS BRUJAS
BALANCING STORYBOOK WONDER WITH GOTHIC HORROR, MAL DE OJO IS A MESMERIZING FILM ABOUT WITCHCRAFT, ABUSE, AND FEMININITY
RICH IN ATMOSPHERE AND GORGEOUS VISUALS WITH STUNNING SET DESIGN, EZBAN’S MEXICAN CHILLER HAS IT ALL: SUPERNATURAL HORROR, FOLK HORROR, GENERATIONAL HORROR, AND HE BLENDS EVERYTHING TOGETHER MASTERFULLY TO CREATE A FILM THAT INSTANTLY CEMENTED ITSELF
EZBAN’S THREE PREVIOUS FEATURES ARE MIND-BENDERS, BUT THIS, IS HIS FIRST FULL-ON HORROR OUTING, AND IT IS ARGUABLY HIS MOST ACCESSIBLE AND STRONGEST EFFORT YE
EZBAN HAS CRAFTED A NUANCED AND COMPLEX FILM THAT WILL APPEAL TO LOVERS OF GOTHIC AND SUPERNATURAL HORROR
MAL DE OJO WELCOMES AND REASSURES AUDIENCES WITH GRANDMOTHERLY COMFORTS LIKE A FOLKLORIC HORROR TALE BEFORE NAP TIME”
EZBAN'S FILMMAKING IS A WARM GENRE BLANKET THAT WRAPS AROUND VIEWERS. ANOTHER TITLE THAT BEGS HORROR FANS HIGHLIGHT EZBAN'S NAME ON THEIR KEEP-AN-EYE-OUT LISTS.
BRUTAL, GROTESQUE AND SURPRISINGLY EMOTIONAL
THOUGHT-PROVOKING, SLICK AND VISUALLY STRIKING
A COMING-OF-AGE IN THE DARKEST OF AGES
THIS COMING-OF-AGE HORROR GETS BLEAK, GRUESOME AND HARROWING. BUT IT’S OFFSET WITH LEVITY, WHIMSY, AND IMPRESSIVE STYLE
EZBAN, A STUDENT OF THE CINEMATIC ARTS, HAS CRAFTED A BEAUTIFUL FILM... NEVER MISSING AN OPPORTUNITY TO HORRIFY...!
A TRUE LABOR OF LOVE —A WILD CINEMATIC RIDE THAT COMBINES STEVEN SPIELBERG AND STEPHEN KING IN ONE OF THE MOST UNPREDICTABLE HORROR FILMS IN RECENT MEMORY
GRUESOME, IMAGINATIVE AND ENTHRALLING… BRAVE AND BOLD IN ITS STYLE… BATHED IN A GOTHIC BEAUTY RARELY SEEN IN APOCALYPSE MOVIES... EZBAN’S MOVIE IS DESIGNED TO MAKE YOU SQUIRM AND SQUIRM YOU WILL
POWERFULL IMAGES STAY WITH YOU LONG AFTER YOU’VE SEEN THE FILM… THE MARK OF A GREAT HORROR FILMMAKER, WHOSE CAREER WILL HOPEFULLY FIND GREATER HEIGHTS
A MOVING, SWEET, AND CREEPY COMING-OF-AGE... BEAUTIFUL, TRAGIC, AND HOPEFUL
ISAAC EZBAN´S THRILLER KEEPS A FIRM, EQUAL GRIP ON SUSPENSE AND TRAGEDY
FINALEMENT, VOTRE FAMILLE N’EST PAS SI DYSFONCTIONNELLE!
WHEN DIRECTORS LIKE EZBAN TAKE CHANCES, THE GENRE STAYS ALIVE
ISAAC EZBAN IS A RARITY… HE BLEEDS CREATIVITY